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    The 188 stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

    Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

    THERE IS ONLY ONE STORY

    THE 188 STAGE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    and more...

    DOORWAYS AND PHYSICAL MARKERS

    (simply go to http://www.story-structure.org/ for full details)

    Doorways and Physical Markers are an often missed yet critical aspect of the Hero's Journey. We have not come across a successful story that does not contain this symbolism.

    In The Matrix (1999), before Neo meets Morpheus, Trinity makes him stop and consider before entering through a doorway.

    In Lawrence of Arabia (1962), Lawrence et al cross over railway lines before entering the desert.

    In Romancing the S

    Guide to Label Printers
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    nding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

    THERE IS ONLY ONE STORY

    THE 188 STAGE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    and more...

    DOORWAYS AND PHYSICAL MARKERS

    (simply go to http://www.story-structure.org/ for full details)

    Doorways and Physical Markers are an often missed yet critical aspect of the Hero's Journey. We have not come across a successful story that does not contain this symbolism.

    In The Matrix (1999), before Neo meets Morpheus, Trinity makes him stop and consider before entering through a doorway.

    In Lawrence of Arabia (1962), Lawrence et al cross over railway lines before entering the desert.

    In Romancing the

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    Wedding speeches used to be delivered by the father of the bride, the best man and maid of honor. And while this is still the way most weddings are carried out, it is also not surprising to hear of the bride and g
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    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    and more...

    DOORWAYS AND PHYSICAL MARKERS

    (simply go to http://www.story-structure.org/ for full details)

    Doorways and Physical Markers are an often missed yet critical aspect of the Hero's Journey. We have not come across a successful story that does not contain this symbolism.

    In The Matrix (1999), before Neo meets Morpheus, Trinity makes him stop and consider before entering through a doorway.

    In Lawrence of Arabia (1962), Lawrence et al cross over railway lines before entering the desert.

    In Romancing the

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    .

    DOORWAYS AND PHYSICAL MARKERS

    (simply go to http://www.story-structure.org/ for full details)

    Doorways and Physical Markers are an often missed yet critical aspect of the Hero's Journey. We have not come across a successful story that does not contain this symbolism.

    In The Matrix (1999), before Neo meets Morpheus, Trinity makes him stop and consider before entering through a doorway.

    In Lawrence of Arabia (1962), Lawrence et al cross over railway lines before entering the desert.

    In Romancing the

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    essful story that does not contain this symbolism.

    In The Matrix (1999), before Neo meets Morpheus, Trinity makes him stop and consider before entering through a doorway.

    In Lawrence of Arabia (1962), Lawrence et al cross over railway lines before entering the desert.

    In Romancing the Stone (1984), Jack and Joan must cross a bridge over a canyon before they can progress.

    In Groundhog Day (1993), the clock is one of the markers of Phil's journey and Transformation.

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