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    ks for selfish reasons.

    Where the hero has good mentors (Lord of the Rings, 2003), the anti-hero has dark mentors (Raging Bull, 1980).

    Where the hero resists dark temptations, the anti-hero gives in to them (Scarface, 1983).

    Where the hero may sacrifice himself to prevent harm to others (Superma

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    The Hero’s Journey is THE template upon which the vast majority of successful stories and Hollywood blockbusters are based upon – understanding this template is a priority for story or screenwriters.

    The Hero’s Journey:

    · Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    · Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    · Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.

    There are various types of hero: a) the good, willing hero (Star Wars, 1977), b) the good, unwilling hero (Shawshank Redemption, 1994), c) the anti-hero (Raging Bull, 1980), d) the villain (Goodfellas, 1990) etc.

    Nevertheless, their stories all mirror the hero’s journey template.

    The difference between hero, anti-hero and other variations simply lies in situation, motivation and result.

    Where the hero’s Ordinary World is idyllic (Lord of the Rings, 2003), the anti-hero’s world is uncomfortable and riddled with conflict (Raging Bull, 1980).

    Where the hero embarks on adventure for altruistic reasons (Willow, 1988), the anti-hero embarks for selfish reasons.

    Where the hero has good mentors (Lord of the Rings, 2003), the anti-hero has dark mentors (Raging Bull, 1980).

    Where the hero resists dark temptations, the anti-hero gives in to them (Scarface, 1983).

    Where the hero may sacrifice himself to prevent harm to others (Superman

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    story is and how it should be told.

    · Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    · Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.

    There are various types of hero: a) the good, willing hero (Star Wars, 1977), b) the good, unwilling hero (Shawshank Redemption, 1994), c) the anti-hero (Raging Bull, 1980), d) the villain (Goodfellas, 1990) etc.

    Nevertheless, their stories all mirror the hero’s journey template.

    The difference between hero, anti-hero and other variations simply lies in situation, motivation and result.

    Where the hero’s Ordinary World is idyllic (Lord of the Rings, 2003), the anti-hero’s world is uncomfortable and riddled with conflict (Raging Bull, 1980).

    Where the hero embarks on adventure for altruistic reasons (Willow, 1988), the anti-hero embarks for selfish reasons.

    Where the hero has good mentors (Lord of the Rings, 2003), the anti-hero has dark mentors (Raging Bull, 1980).

    Where the hero resists dark temptations, the anti-hero gives in to them (Scarface, 1983).

    Where the hero may sacrifice himself to prevent harm to others (Superma

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    ) the good, willing hero (Star Wars, 1977), b) the good, unwilling hero (Shawshank Redemption, 1994), c) the anti-hero (Raging Bull, 1980), d) the villain (Goodfellas, 1990) etc.

    Nevertheless, their stories all mirror the hero’s journey template.

    The difference between hero, anti-hero and other variations simply lies in situation, motivation and result.

    Where the hero’s Ordinary World is idyllic (Lord of the Rings, 2003), the anti-hero’s world is uncomfortable and riddled with conflict (Raging Bull, 1980).

    Where the hero embarks on adventure for altruistic reasons (Willow, 1988), the anti-hero embarks for selfish reasons.

    Where the hero has good mentors (Lord of the Rings, 2003), the anti-hero has dark mentors (Raging Bull, 1980).

    Where the hero resists dark temptations, the anti-hero gives in to them (Scarface, 1983).

    Where the hero may sacrifice himself to prevent harm to others (Superma

    Sure Are A Lot Of Careers From Home Starting These Days
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    ons simply lies in situation, motivation and result.

    Where the hero’s Ordinary World is idyllic (Lord of the Rings, 2003), the anti-hero’s world is uncomfortable and riddled with conflict (Raging Bull, 1980).

    Where the hero embarks on adventure for altruistic reasons (Willow, 1988), the anti-hero embarks for selfish reasons.

    Where the hero has good mentors (Lord of the Rings, 2003), the anti-hero has dark mentors (Raging Bull, 1980).

    Where the hero resists dark temptations, the anti-hero gives in to them (Scarface, 1983).

    Where the hero may sacrifice himself to prevent harm to others (Superma

    Understand Mortgage Lender Responsibilities Before Your Application is Accepted
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    ks for selfish reasons.

    Where the hero has good mentors (Lord of the Rings, 2003), the anti-hero has dark mentors (Raging Bull, 1980).

    Where the hero resists dark temptations, the anti-hero gives in to them (Scarface, 1983).

    Where the hero may sacrifice himself to prevent harm to others (Superman, 1978), the anti-hero will consciously set out to do harm (Goodfellas, 1990).

    Where the hero will evolve, the anti-hero will regress.

    Where the hero will achieve synergy (at the stage of the Ultimate Boon), the anti-hero will achieve alienation.

    Where the hero’s allies will come to his aid, the anti-hero’s allies will betray.

    Where the hero’s gain is tangible and prized, the anti-hero’s gain is dubious (Scarface, 1983).

    The detailed deconstruction and the Complete 188 stage Hero’s Journey and FREE 17 stage sample and other story structure templates can be found at http://www.managing-creativity.com/

    You can also receive a regular, free newsletter by entering your email address at this site.

    Kal Bishop, MBA

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